Feeds:
Posts
Comments

Posts Tagged ‘yamadori’

What is a yamadori bonsai? What is a pot-grown bonsai? Here are a few simple definitions:

  • Yamadori: Bonsai made from an older collected tree
  • Pot-Grown: Grown as a bonsai its whole life

A yamadori was crafted over a very long time by the elements, by it’s location in nature. These birth marks are what make them so extraordinarily special when we make bonsai from them. A pot-grown tree, on the other hand, has been crafted by hand from its beginning. Old pot grown trees tend to have clear evidence of styling choices that date way back to its beginnings as a young plant, partly obscured by time in a pot.

Why are these distinctions important? Other than being able to tell one from the other, why should we care? It is just a labeling system. Nothing more.

Or is there something more?

green_leaf_yin_yang_round_stickers-p217029717324180265en8ct_325

If you take a minute, you may notice that these two types of bonsai actually feel different. Or rather, you feel different standing in front of them.

On the one hand, a gnarled pine that was harvested from a mountain far away. On the next bench, a stately maple created by an air layer many years ago. What does the pine make you feel? How about the maple?

A collected pine might make us feel tranquil or stimulated, and the maple majestic or whimsical—but those are specific to the style. Specific to the individual tree. What about how they were made? For that is more important than we tend to recognize.

If you’re quiet and take a minute to wonder, you might notice a similar thread of feeling when you stand in front of all your yamadoris, and a different thread of feeling when you stand in front of all your pot-grown trees. I  think it’s this:

  • That bonsai made from a yamadori connects us to the wild
  • And a pot-grown bonsai connects us to another person

And it’s curious, is it not, that each is still the medium of a tree, but one speaks with the voice of nature, and the other the voice of community. Both beautiful. Both necessary.

(This is part three of a series that, as my father dryly points out, has no reason being a series as there is no link between them whatsoever. You might also like: The Hook To Hang Our Hat On: Part I, and  Sight of the Blind Mind: Part II)

Read Full Post »

This is an intriguing tree. I could look at it all day. It was styled last year with the other side as the front. Then the lower branch died, which is a hard thing to prevent in a juniper if it’s got that idea going. About that time I was strongly considering this new front, which worked OK without the lower branch. It seemed quieter on this side and had a bit more subtlety, more harmony in the twists of the trunk and the branch possibilities. It is not often you find a Rocky Mountain juniper with this amount of live vein activity and twisting.

My Seasonal students took several looks at this over the last couple years. We discussed the front possibilities, which were several. Including cascading options. It had a full range of offerings and led to some lively discussions.

One of the fronts we considered in a Seasonal class in 2010 that ended up as the current front.

John Conn and Ram Lukas considering inclination options in a Seasonal class, when the tree was still in a wooden box.

Some of the features of the trunk.

29" from top to bottom jin. It is as yet an unrefined tree, and I have let it grow with some abandon following a later repotting than usual (cool spring) and loss of the lower trunk. Perhaps next year it will be ready to refine a bit more to clarify the foliage pads.

Read Full Post »

This is a product of my Seasonal sessions. A few years ago I bought this weedy looking Sierra juniper, removed the field soil and repotted it into a pumice/akadama mix in a plastic nursery pot with help from Seasonal students in 2009, and styled it with a Seasonal group in 2010.

It really did look unpromising at first, but I’m proud of my student’s work. They made a significant bend in the main trunk in hard dead wood—which originally was as straight as an arrow—and wired the top branches. Then this spring we repotted it into the bonsai container it is shown in. We tried a few display options and possible companion plants in our summer Seasonal last week (July 2011), which included several of the students who had seen it through from the beginning.

It was a lovely transformation, this tree, my student’s efforts. They brought what was nothing much to something of note. Rilke says something appropriate in his Letters to a Young Poet:

“If you will love what seems to be insignificant and will in an unassuming manner, as a servant, seek to win the confidence of what seems poor, then everything will become easier, more harmonious, and somehow more conciliatory, not for your intellect—that will likely remain behind, astonished—but for your innermost consciousness, your awakeness, and your inner knowing.”

The Sierra juniper at it's first styling, just after making a bend in the trunk. May 2010. The long jin on top was later removed.

25" high. July 2011. Tricky to get the lighting right in a photo that will express the back and forth movement of the simple trunk. I've never been satisfied with images of bunjin, which require the viewer's presence for a sense of scale, subtleties of movement, and evocativeness. To critique this, I think the apex could be smaller and more compact, it seems a bit loose and rangy for the thin trunk.

Read Full Post »

This small pine goes way back to when I was a potter, trying to sell them at my first convention in the mid 90′s in Harrisburg, PA. I met Andy Smith there, and we traded a pot for a tree. He collected the yamadori pine in South Dakota.

For years I grew it as a cascading ponderosa, and grew increasingly disappointed with the look of it. About 8 years ago I put 10 black pine grafts on it. This was when I lived in Arizona. 9 took, 1 died the second year, so I ended up with 8 grafts. Definitely overkill. Then I left for Japan. When I came back I had a strong little tree that my friend Gary Wood had kept for me in Alabama. I ended up keeping only two of the grafts, so all the foliage it now has is from just two scions.

This winter I began looking at it again and thinking it was time for a rather major review. This is what I came up with. I don’t think it is in any way a ‘special’ tree of importance, but I’ve been casting about for things to do with small ponderosa that give us more latitude and creativity, and grafting seems one option. This has been my experimental tree… and I’m grafting more these days as a result of the fun I had with it.

The original pine 'as a ponderosa' back in about 1999.

All black pine now, growing with wild abandon on styling day.

After styling in February 2011, with new inclination but before potting (two months later.)

Repotted, 12" high. I did not cut the candles last year, but will this year. I have found that candle cutting is the same on grafted black/ponderosa trees as black pine on its own roots. Cutting the candles will shorten the needles by about half. Incidentally, this pine has a rather serious pigeon breast from this front... it just did not have that many options. I think a pigeon breast is simply a different feeling than a definite 'Don't!' Those with dissenting opinions please comment...!

Read Full Post »

This juniper has been growing in my backyard for a year. It’s a client tree, another of the great native yamadori that was collected by Randy Knight of Oregon Bonsai.

Junipers don’t like to be repotted very early, they do better when repotted in late spring when it’s warmer. So this tree, which is in a box, needed a prop of a wooden block that could support it for a few months, at which time it would be potted in a bonsai container. I also cut the box with a circular saw and leveled the soil surface at the new inclination so watering would be easier.

It’s a fun tree, dynamic, and I liked the tensions between the jin to the left and the foliage to the right. I get into arguments with people about which way the foliage should go when there is jin or shari present in a forceful way. The jin or shari, in the presumed environment of the tree, are a great hint: Where the storms are coming from, prevailing winds, etc. If a jin is pointing in one direction, the living part of tree should be styled in the other direction. I see even professionals doing very strange things with jin, as an indicator of wind direction. Only several trees ‘flag’ in the wind, spruce being one of them. Juniper is not one of them. Go into the mountains and the dead limbs are facing the environment. Check out the Monterey cypresses; same story.

To critique my own work , I think the apex should be about three inches to the left. That would bring it closer to the base and more stable. Something for the next reworking…

(I’ve noticed an acute lack of dissension on this blog… the folks who are thinking, ‘You’re a flake, Hagedorn, and don’t know what you’re doing,’ are not writing. Please write your real thoughts!)

Before work

After bending the large branches

Reworking the wooden box

After styling

Read Full Post »

Some years ago this juniper was imported from Japan. It was weak for quite some time and only this year displayed enough energy to make styling an option. The long shoots were cut back once already this year, so I could actually have styled it a bit earlier.

 

Before the work. Pot is a Yamaki, but it's not the final one, being too big and the wrong shape.

 

 

After cleaning the bark and shari, and styling. The front was shifted a bit to the left for better trunk movement, and then the whole tree was tilted to the right. It will be planted at this angle at the next repotting. The pot for this bunjin could be a simple round with an outflared lip, or perhaps a 'moko' form.

 

Read Full Post »

This is what I call,  only partly tongue in cheek, the ‘Lazarus’ tree as it had only large roots and no feeder roots when put in a box, and after 8 months in my backyard under a mist system, sprang back into life again. Every month I would dig a bit through the pumice and check for white root tips. Anything to give hope, but for months I was stymied. Then the darn thing woke up in the fall and grew those lovely fine feeder roots, and I opened a bottle of wine. It’s a nice tree, but sadly, I only had a Charles Shaw Cabernet. I will have to pay more attention to my wine stocking in the future.

The first shot is in the wooden box that I built, and then, noticing that it was staying wet too long, drilled a million holes through the sides to air it out faster. I had boards laying over the top of it to prevent rain and misting water from reaching the soil. Before there were growing roots it would take two months for the box to dry out. Which is plenty of time to rot roots…

And in a Yamaki pot. Big tree, big pot. This was potted during my March 2010 Seasonal. Late summer 2010, probably August when it has a few more long pointy shoots, it might be styled. If it’s ready.

Read Full Post »

Follow

Get every new post delivered to your Inbox.

Join 1,868 other followers