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Archive for the ‘Shows’ Category

Demo on a house can be fun, with a sledge hammer, a few pounds of dynamite… well, the Artisans Cup renovation was not really explosively changed, but it does look fantastically better (I can say this as it was Ryan and Kirsten’s doings, not mine)

Please check it out:

www.artisanscupofportland.com

Especially have a good look at the submissions page if you’re eager to send trees next year. There is quite a bit of new info there—some of which you’ve been asking me about for a while now—which will help you to organize your display. GET STARTED NOW! If you don’t have a great stand, you’ll need to scare one out of the woods…if you’ve not yet decided on an accent, in the words of Captain Kirk, ‘This WOULD be a good time…’… if you don’t have a tree yet, perhaps plant some seeds and put them under a grow light…

And for gosh sakes click the donation button. Stop hovering the cursor over there indecisively. Just click it.

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David DeGroot came up with the idea for this show at the Pacific Rim Collection, and Monday 25th, June was the setup day. As usual, anything involving Ryan and I involves some ridiculous story getting there. This time we had a meeting with Travel Portland regarding the Artisans Cup of Portland Bonsai Exhibition prior to driving to Seattle. However the meeting was downtown, and we were driving this huge rig chock full of trees for the show and simply could not find a big enough parking spot on the busy streets. So Ryan jumped out and went to give our presentation and I drove the rig around in circles for 45 minutes. Which is not exactly the green, environmentally conscious image us Portlanders like to present.

But I’m writing about our show, and if you’re up in the Seattle area from now till July 15th, 2012, please check it out!

Here’s the poster:

Ryan prepping a spectacular juniper, with Jean-Phillipe, his apprentice.

The next series of photos are of the exhibited trees, in order, as if you were walking through the show:

Rocky mountain juniper—Ryan Neil

Mountain hemlock, fern/twin flower–Michael Hagedorn

Kusamono display—Michael Hagedorn
Fern, bamboo, dwarf iris, water stone, pea/giant helleborine, evergreen penstemon

Ponderosa pine—Ryan Neil

Engelmann spruce—Michael Hagedorn

Lodgepole pine—Ryan Neil

Western juniper, grass, ‘Chojubai’ quince—Michael Hagedorn

Ponderosa pine, fern—Ryan Neil

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That title sounds like an intrepid traveling band, but no, we don’t sing. Or play, I think. But then again, if anyone wants Ryan Neil and I to sing, we might consider about $8,000 per minute. Although I can’t speak for Ryan, you might pay ME that much to stop. It would be an awful lot like a vocal version of ‘The Full Monty’, and that amount of soul selling comes with a lead-weight price tag.

Ryan with his demo tree at the Portland airport.

When Ryan and I realized we’d be flying down for the Lone Star Bonsai Federation convention on the same day, we booked the same flight for some chat time. Getting to the airport was a story in itself. I got a text at midnight from Ryan saying that he was bringing his demo tree and that the box was big and awkward, and could I wait for him at the airport to watch over the box while he parked. By some miracle we met there the next morning within two minutes of each other coming from remote parts of Portland.

A workshop moment- photo courtesy Christopher Scholz

The Texas convention was a glory. One of the tightest organizing teams we’ve ever seen, the LSBF folks were stellar, and they also put together a nice display with some thoughtful trees. Kathy Shaner was presenting there as well, and I’d not seen her for a while. It was an extra plus to have some nice talks with our pioneering bonsai artist.

In addition to a few things about bonsai, the Portland Bonsai Village team offered our hard-won knowledge that included the toilet roll mystery, the squid gut story, the how to hide a holly from your master story, and the oddity of an Andre Agazzi mohawk on an old ginko. If you’ve not the faintest idea what I’m talking about you obviously should have been there.

In the future we’ll be looking for roadies to carry monstrous boxes. Groupies welcome. Sanity optional.

Second…or third… demo tree of Ryan’s. Photo: Christopher Scholz.

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As this is a photo album with a strong streak of randomness, I’ll say little here and more in the captions under the images… Enjoy!

A couple hours before the Kokufu show opened on February 4th, I wandered around the neighborhood of Asakusa and found this odd little shrine. The stuffed dolls in front of it were particularly arresting.

Inside the Green Club sales area of the Kokufu show, intricate stands. One year I was helping set up (must have been 2005 or 6) and just when we finished a tremor hit. We all grabbed stands or whatever our hands closed around. When it stopped we all looked at one another with big eyes. I can't look at stacked stands and trees like this without thinking of that day.

A Chojubai quince being reworked in a big box at Suzuki's. This tree was about a meter wide.

Matt Reel working on an Ezo spruce in the new studio.

Matt and Tyler at Tommy's---the preferred hangout of eclectic locals. They fit in perfectly!

An incredibly good smaller Chojubai, also at Suzuki's. This could get in the Kokufu show. The density of the branching, age, and the compactness of the tree is rare.

Matt in front of the opened truck that brought back the trees from the Kokufu show. Incredible vehicle, the whole side of the thing lifted up on hydraulics. Each tree has its own stand, and is tied to it. All of them were blocked in so nothing could shift around. The Shishigashira maple in the middle won a Kokufu prize. The Stewartia you might recognize from my book, and this was it's first time in the Kokufu. Matt is 6'2", and that Stewartia is behind him. It's huge! This shot of the returning trees does show the variety of trees that Suzuki enjoys working with---a broad spectrum of conifer and deciduous.

Matt using the swift method of flower cleanup... by vacuum. We'd just finished pulling all the flowers off this Ume that was in the show. Leaving them on would have weakened the tree even more---being in the show was stressful enough.

Many kinds of trees had flowers that were in the Kokufu... all were removed following the show.

The goofiness that a long night can bring... I lost those glasses a week later. Still can't find them. My last memory of them...sigh.

Tyler Sherrod concreting a tree... this was an unusual operation of filling in a very large and long cavity in a Camellia. It was very close in color to the bark, and looked great. Like Matt, Tyler is also 6'2". This crop of apprentices is massive. Matt and Tyler claim they've frightened small children just walking down the street shoulder to shoulder, a solid moving wall of bearded guys. Terrifying!

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Apologies for my blogging absence…

I was in Japan for half of February, and will post a few photos from that shortly. Technical problems abound… I used my iPhone for most of the image-making. Unknown at the time, my computer is so old that it will not accept images from the iPhone. And one of the quirks of the iPhone is that you can’t upload images to WordPress. Urg. Eventually I will offer some photos.

This year’s Kokufu was better than the last few years. The Kokufu along with most other bonsai shows in Japan have been in decline for 15 years. The quality of the trees is lower because fewer trees are being entered. In the past only 30% of the trees were accepted; now 70% acceptance is common. Of course the show is still impressive, and worth seeing. A large ‘Shishigashira’ Japanese maple won a Kokufu prize for a client of Shinji Suzuki’s.

After a couple days in Tokyo to see the show and the sales area, I worked in Obuse for Mr. Suzuki wiring trees for about 11 days.

Matt Reel is in his sixth year there, and he will be back in about a year. If he finishes the next year he will be the longest staying American apprentice, finishing up at about 6.7 years. His work has made major strides in the last couple of years, and I’m going to be happy to have him back here in Portland. I need help lifting things… no, kidding, he’s a super fellow and I will enjoy his company and enthusiasm. He will also be looking for client work, so if you want some high caliber work on your trees, let me know and I’ll put you in touch with him.

And there is a newcomer— Tyler Sherrod from North Carolina is finishing his first year at Suzuki’s. He’s also looking at 5+ years. Tyler is a wonderful solid guy and a hard worker. He fits in well there, and it was nice to spend some time with him. I’ll post on his progress in future years—

More later, following some technical overhaul!

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This unassuming dwarf quince can steal your heart. There are many who have gone to Japan for the spectacular pines, junipers, and maples, only to discover the quiet but memorable Chojubai. Those ‘many’ included a few friends of mine, and myself. This post is a little longer than most because Chojubai is so little known in the West, and, frankly, I think it deserves better. Also, waiting for you at at the end of this long post is a question…

A well-known root-over-rock Japanese flowering quince ‘Chojubai’. 45 cm high

Fairly typical of the multiple-trunk old Chojubai now seen in Japan. 33 cm high

Chaenomeles japonica ‘Chojubai’ is a cultivar of the comparatively coarse Japanese flowering quince. Few plants for bonsai can match its contrasting qualities: Idiosyncratic, craggy branching and twigging, with rough older bark, adorned almost contradictorily with glowing ruby flowers. They flower mostly when out of leaf, in winter, so they lend a feeling of glowing life to the bonsai yard when all else is dull. The details are small, with glossy leaves about 1/2″ long and flowers under 1″ wide. There are several flower variations including white and red, although almost all Chojubai used for bonsai are red-flowered because that variety has the finest twigging.

Medium-sized (‘chuhin’) Chojubai. Fine old tree. 29 cm high

Quirky medium-sized raised-root Chojubai. 30 cm

The history of this tree in Japan is interesting… At first, Chojubai appeared commonly as a small accent plant in the Kokufu show forty years ago, as an unramified twig or two. Only rarely was it seen as a primary tree in the medium size category, and never in the large size. It was a second tier tree. Then something shifted. Around 1990 we began to see large size Chojubai in the Japanese shows. These were trees about 1-1.5 feet tall and twice as wide, multiple-trunked and highly ramified. Occasionally single-trunked trees, which are rare, were seen. In Kokufu book 80, about six years ago, two Chojubai won Kokufu prizes. Two years later in book 82 another won. Chojubai had come of age.

Most Chojubai are enjoyed out of leaf, although the small glossy leaves are perfectly in scale. As Chojubai often flowers nearly year-round there is nothing stopping you from putting them on the display tables any day of the year. 30 cm

You might wonder why I put this in…Well, it is a Chojubai accent plant in the Kokufu show 40 years ago. Interesting, isn’t it, how tastes and techniques have changed? These days, this tree would be unlikely to even get accepted into a local Western show.

The vast majority of Chojubai grown for bonsai are the red-flowered variety; all the other photos in this gallery are of red-flowered trees. This is a white-flowered tree and it won a Kokufu prize. Very hard to ramify the white ones. 33 cm

Chojubai’s ease of ramification is enhanced with training, creating dense forms of intense complexity. Most unique to the Chojubai is the natural eccentricity and unexpected angles and directions in the branching, which are usually encouraged as they represent the special flavor of this variety. If this were a plant trained by music, that music would be jazz.

A red-flowered Kokufu prize winner. Very old. This is a good example of the extremes in technique used to create a very crystalized form. Impressive, and yet in some ways perhaps not showing the best of what Chojubai offers. Hmm, I wonder how long I will be in purgatory for that comment… 35 cm

One of the rarer single-trunked Chojubai. Another Kokufu prize winner. If you have a single-trunked tree, be very sure to cut all suckers that come from the root base. Beautiful old tree! The warty bark is evident only with great age. 38 cm

If you have a Chojubai, you’re lucky. Keep it moist. Plant in deeper containers to hold more water. If you have a young plant, put it in a big training pot with large size soil mix for a few years, so you have some energy to manipulate. Keep in the sun. Use a pesticide when shoots are elongating to control aphids. Wire main branches and shoots from the base for multiple trunks, and cut and grow following that. This is not so much to create branch taper, as there will be little of that, but for the short, zigzagging and erratic branching that is only created by many years of scissor work. Cut back in June to one to three internodes only on refined trees, leave extensions on younger plants to develop trunk. Always immediately remove shoots that come from the base that you are not intending to use as trunks—they will weaken the older areas. There’s more to it, but that will get you started.

Lovely loosely styled multiple-trunk Chojubai. Many years of careful scissor pruning created this natural form. 40 cm

Chojubai just beginning to grow in April at Shinji Suzuki’s nursery.

Another Chojubai at Suzuki’s a month later, in May, just before trimming the extensions.

Chojubai at my place in mid-December, showing tiny flower buds. Any strong tree, with timely trimming, will produce this many buds. It has already had a few flowers open, which are about 1″ across, and will continue blooming for 3-4 months until late March when the leaves start coming out. After that the blooming is more sporadic.

After all those words and photos, there’s no hiding that I’m totally besotted with Chojubai. Ah well. Another personal secret offered to the globe. But I have a wondering curiosity if these images stirred—if any photograph CAN stir—the endearments that Chojubai have raised in myself and others lucky enough to have seen them in person. I imagine many of you have never seen Chojubai before. What do you think? Something you’d like to see more of?

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Something I’m very excited about these days is the beginning of a fledgling professional bonsai community here in Portland, Oregon, which is just stretching its wings. In addition to myself we have Ryan Neil who came back from Japan in 2010 and has already made a spectacular start with headlining at the Noelanders event in Belgium, has taught in Italy, and—I’m happy to report—has settled in the Portland area. When we were apprentices in Japan we joked one night on the phone about creating an Omiya village in Portland, after our terms of indentured servitude were finished. I think after talking we both pondered that a bit, and found it to be not such a dumb idea.

And it appears to be happening: Matt Reel will also be joining us in a year or so, following his almost 5 years now with Shinji Suzuki. We will have several bonsai artists in one city who’ve done significant time in Japan under a couple of its finest masters, Masahiko Kimura and Shinji Suzuki, working together to create a viable professional community and outreach. We hope you’ll stay tuned for the events we will have in the near future! It’s going to be an exciting future here in Portland… and we hope you’ll come visit, and return—

Below are some photos of our ‘traveling’ version of the Portland Bonsai Village… I think Ryan and I figured out that the next three years has us headlining at a convention together at least once a year. Next one: PNBA in Seattle this September!

Left to Right: Peter Warren (our English bloke), Ryan Neil, and Michael Hagedorn at GSBF 2010.

GSBF 2010: Ryan Neil demonstrating on a Rocky Mountain juniper; Michael Hagedorn assisted by Peter Tea on an Ezo spruce.

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Japanese Shows

Here are photos of bonsai I worked on that were accepted into the bonsai shows in Japan during my apprenticeship: the Kokufu-ten, the Sakufu-ten, and the Taikan-ten. 

Kokufu show #80 – 2006

spruceChochubai flowering quince (left), Ezo spruce (right)

redpinekokufuRed pine. You may notice several different stylistic approaches in the bonsai on this page. Only about 20% of the branches on this tree were wired.

kokufu

White pine—One of those stepping-stone trees for me. Mr. Suzuki wanted to be sure I could wire trees out cleanly—to this level of organization and absurdity—before letting me work with less artificiality. I detail the work on this tree in my book, Post-Dated: The Schooling of an Irreverent Bonsai Monk.

kokufucascadejuniperGrafted Itoigawa juniper

white pineWhite pine 

Kokufu show #79 – 2005

shimpaku‘Shimpaku’ juniper

black pineBlack pine – Kokufu prize winner

juniper‘Shimpaku’ juniper

Taikan Ten 2004

bunjin white pineWhite pine

Sakufu Ten 2005

white pineWhite pine—Prime Minister Award winner

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